Posted from Royal Oak, Michigan--
Could it be that controversy is no longer a dependable brand?
Tom Cruise and Paramount Pictures have parted ways. Although Cruise's people say he quit, Paramount is saying he was released. They are allegedly fed up with the star's eccentric behavior and feel that his new controversial image may be hurting his box office appeal.
Perhaps movie executives took note of what happened to Russell Crowe's appeal when he threw a telephone at a hotel clerk a couple of years ago. That single instance seemed to lop millions off the gross ticket receipts of "Cinderella Man," which was playing in theatres at the time.
Even filmakers Oliver Stone and Spike Lee have recently delivered movies of nuance and texture instead of their trademark, heavy-handed editorials. Stone, director of "JFK" and "Born on the Fourth of July," has released, "World Trade Center," a topic with a political bull's eye, if there ever was one. Yet, he treats the subject with uncharacteristic objectivity and finesse.
Spike Lee ("Malcolm X," "Jungle Fever") is well known for producing and directing motion pictures that rail against racism. His most recent work is a TV movie about the government's response to Hurricane Katrina. "When the Levees Broke: A Requiem in Four Acts," has been reviewed as a fair and measured account of what happened in New Orleans one year ago.
Controversy is risky, but the media has a long history of reporting it and news junkies have an equally long history of consuming it. So what's changed? News is reported much faster now, thanks to 500 television stations, satellite radio, blogs, websites and e-mail.
This high-speed delivery doesn't suit controversy, which has always worked best from the shadows. Edgy eccentricities taste better when they can simmer for a while. The speed of electronic communication, however, prevents weirdness from cooking too long. Instead, odd behavior is flash fried and processed for mass consumption.
Talk show host Mike Douglas passed away a few weeks ago. If a couple million viewers saw a movie star jump on Douglas' couch in the 70's, they would have excused the actor as silly and love-struck. When an actor jumps on Oprah's couch in 2006, the news report takes an ugly tone. Over 100
million people saw the clip the next day and every broadcaster with a
microphone labelled the behavior as "bizarre."
Dan Rather has personally experienced the trauma of being flash fried for immediate consumption. John Kerry thought he knew about speed boats until the speed of blogs reshaped his Presidential campaign message.
There's no time for intrigue or reflection anymore. The New World Order is a fast food order that must be consumed quickly. Speedy reporting has us us rushing to judgement. Unique, eccentric and flaky celebrities are not attractive anymore. They're just weird.
Finally, a new guitar God materialized on YouTube about eight months ago. A waifish figure, his face obscured by the brim of a ball cap and back lighting, wowed musicians and non-musicians alike with his extraordinary prowess on the electric guitar. Over 7.35 million people watched his video before the mysterious musician was outed as 23-year-old Jeong-Hyun Lim.
Lim is self-taught and has only been playing guitar for six years, but that's not the amazing part of his story. The shocker is that this humble Korean kid has become one of the most famous guitarists in the world by hiding his face and not being controversial.
Now, that's just odd.
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